Item type | Current library | Collection | Shelving location | Call number | Status | Barcode | |
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Kalaignar Centenary Library Madurai | ENGLISH-REFERENCE BOOKS | நான்காம் தளம் / Fourth floor | 909.09744 WAL (Browse shelf(Opens below)) | Not for loan | 141476 |
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909.09724 KEA Indian Ocean In World History / | 909.09724 TOL Europe And The Islamic World: A History / | 909.0973 MAM Good Muslim,Bad Muslim:Islam the USA,and the Global War Against Terror / | 909.09744 WAL The Franco-Algerian War Through A Twenty-First Century Lens:Film and History / | 909.0975 SAN The Incredible History Of The Indian Ocean / | 909.09767 AHM Legacy Of Muslim Civilization/ | 909.09767 BAR Hands-On Ancient History:History and activity of the Islamic Empire/ |
The Franco-Algerian War (1954-62) remains a powerful international symbol of Third Worldism and the finality of Empire. Through its nuanced analysis of the war's depiction in film, The Franco-Algerian War through a Twenty-First Century Lens locates an international reckoning with history that both condemns and exonerates past generations. Algerian and French production partnerships-such as Hors-la-loi, (Outside the Law, Rachid Bouchareb, 2010) and Loubia Hamra (Bloody Beans, Narimane Mari, 2013)-are one of several ways citizens collaborate to unearth a shared history and its legacy. Nicole Beth Wallenbrock probes cinematic discourse to shed new light on topics including: the media revelation of torture and atomic bomb tests; immigration's role in the evolution of the war's meaning; and the complex relationship of the intertwined film cultures. The first chapter summarizes the Franco-Algerian War in 20th-century film, thus grounding subsequent queries with Algeria's moudjahid or freedom-fighter films and the French new wave's perceived disinterest in the conflict. This book is an invaluable resource for scholars seeking to understand cinema's role in re-evaluating war and reconstructing international memory.includes bibliographical references and index